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Keep in mind a good lens can last a lifetime.
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Some of the best lenses on the market, such as the “L” series from Canon, can cost thousands of dollars. That means a flexible lens that works well in a variety of situations (also, I usually don’t have the luxury of being able to change lenses on the go, so I usually need a do-it-all). We are often, if not always, time constrained. On the other hand if you’re shooting a documentary you may not necessarily know where your subject is going to move, so a stabilized telephoto may work best.įor Stark Insider, we shoot food & wine, backstage theater, and sit-down interview videos. In this situation, prime lenses (those with fixed focal lengths) are usually the best as they offer the sharpest quality image. Scenes will be carefully constructed, blocked, lit. It depends on how you’re planning to use the camera.įirst establish up front what style of video you’ll be filming.Ī narrative feature will have a script and storyboard. You can use a tripod or some form of rig to correct that issue, but if you’re like me, you’re doing run-n-gun and shooting documentary style… which leads me to this point… “Best” ?ĭeclaring these particular lenses as “best” for DSLR video is a bit of a misnomer. Without lens stabilization you’ll get what’s called “micro-jiggles” when shooting handheld. On Canon lenses that feature is usually denoted with “IS” in the model name. If you’re getting into DSLR video for the first time I highly recommend you look for a lens with image stabilization. One thing I’ve learned: a lens made primarily for taking photos may not necessarily be the best for video. And a seemingly endless array of manufacturers (Canon, Tamron, Sigma, Zeiss, etc.). Lots of types (telephoto, prime, macro, fisheye). Otherwise, it’s an absolutely exceptional lens. Note though you’ll need a stabilizer like a gimbal or tripod as this Sigma doesn’t have image stabilization. If you want to buy ONE and only one lens get the Sigma 18-35mm f/1.8 and call it a day. Most recently I’ve been shooting Stark Insider videos and short film projects on the (amazing) Panasonic GH5. I never looked back, eventually moving to a EOS 60D and then to the brilliant auto-focus equipped 70D (seen in photo above), and to the Canon EOS 80D. First using a good ol’ Canon Vixia camcorder then in 2010 everything changed when I bought the EOS Rebel T2i and entered the world of DSLR video. I’ve been shooting video for about fifteen years.
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Go here to find out how to set up your browser in order to accept or block cookies and more.Thinking about taking the dive into video with your Canon DSLR? Here’s 5 lenses worth a look. If you find it too intrusive you can always change the settings to block cookies. If you visit and your browser accepts the cookies we assume that you agree with our policy and have nothing against saving them in the memory of your device. Cookies can also be used by our advertisers and the Google Analytics tool which gathers statistical data. Cookies allow us to monitor the users' actions on a given page, target the marketing content with a greater accuracy and generally make the interaction between the website and our Visitors easier and faster e.g. We employ that technology for functional, statistical and marketing reasons.
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